MARC details
000 -LEADER |
fixed length control field |
03253 a2200193 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
181128b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
978-93-88002-49-3 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
651.7/Cla/Her |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Clark, Michael Dean; Hergenrader, Trent; Rein, Joseph |
9 (RLIN) |
32687 |
245 ## - TITLE STATEMENT |
Title |
Creative writing in the digital age: theory, practice, and pedagogy |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
New Delhi |
Name of publisher, distributor, etc |
Bloomsbury |
Date of publication, distribution, etc |
2018 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
vi, 198 |
Other physical details |
Paper |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Table of contents<br/>1. Introduction <br/>Part 1: Digital Influences on Creative Writing Studies<br/><br/>2. Creative Writing in the Age of Synapses (Graeme Harper, Oakland University, USA) <br/>3. Screening Subjects: Workshop Pedagogy, Media Ecologies, and (New) Student Subjectivities (Adam Koehler, Manhattan College, USA)<br/>4. Concentration, Form, and Ways of Seeing (Anna Leahy, Chapman University, USA)<br/>5. Game Spaces: Videogames as Story-Generating Systems for Creative Writers: (Trent Hergenrader, Rochester Institute of Technology, USA)<br/>6. “But What Can I Do with a Writing Degree?”: Using Technology to Leverage More Use from the Fiction Course (Michael Dean Clark, Point Loma Nazarene University, USA)<br/>7. Digital Divides?: Two Creative Writers Look Askance at Composition Studies (Joe Amato and Kass Fleisher, Illinois State University, USA)<br/><br/>Part 2: Using Digital Tools as Creative Practice<br/><br/>8. Lost in Digital Translation: Navigating the Online Creative Writing Classroom (Joseph Rein, University of Wisconsin-River Falls, USA) <br/>9. Giving an Account of Oneself: Teaching Identity Construction and Authorship in Creative Nonfiction and Social Media (Janelle Adsit, State University of New York-Albany, USA)<br/>10. Reconsidering the Online Writing Workshop with #25wordstory (Abigail Scheg, Elizabeth City State University, USA)<br/>11. Writing with Machines and Taroko Gorge (Jim Brown, University of Wisconsin-Madison, USA)<br/>12. Telling Stories with Maps and Rules: Using the Interactive Fiction Language “Inform 7” in a Creative Writing Workshop (Aaron Reed, University of California-Santa Cruz, USA)<br/>13. Acting Out: Netprov in the Classroom (Rob Witting, University of Minnesota-Duluth, and Mark Marino, University of Southern California-Dornsife, USA)<br/>14. Just What is Digital Storytelling, Anyway? (Christina Clancy, Beloit College, USA)<br/>15. Creative Writing for New Media (Amy Letter, Drake University, USA)<br/>Bibliography<br/>Index |
520 ## - SUMMARY, ETC. |
Summary, etc |
About Creative Writing in the Digital Age<br/>Creative Writing in the Digital Age explores the vast array of opportunities that technology provides the Creative Writing teacher, ranging from effective online workshop models to methods that blur the boundaries of genre. From social media tools such as Twitter and Facebook to more advanced software like Inform 7, the book investigates the benefits and potential challenges these technologies present instructors in the classroom. Written with the everyday instructor in mind, the book includes practical classroom lessons that can be easily adapted to creative writing courses regardless of the instructor's technical expertise. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Creative Writing, |
9 (RLIN) |
32688 |
|
Topical term or geographic name as entry element |
Digital Age |
9 (RLIN) |
32689 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Item type |
Book |