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Management in the Performing Arts: An Empirical Exploration of Organizational Structures in Indian Theatre

By: Contributor(s): Material type: TextTextDescription: 67-83 pSubject(s): In: Sage Publication IIM KOZHIKODE SOCIETY AND MANAGEMENT REVIEWSummary: It is well established that organizational structure is critical to the performance of organizations. For performing arts organizations, especially from developing countries such as India, mere survival is a struggle and sustainability becomes a vital goal before the achievement of mission. Our emergent conceptual framework, based on a grounded theory study of six theatre organizations, sheds light on aspects of organizational structure that have contributed to organizational sustainability. Theatre organizations in India are highly dependent on a small core group, often comprising founders or founding families, and rely on strong personal networks in the arts sector. They are supported by membership that is flexible and project-oriented, and organizational boundaries are relatively porous. An exploration of performing arts in the Indian context offers valuable points of comparison to the nature of organizational structures of arts organizations in the West, as evidenced by Western literature.
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Holdings
Item type Current library Call number Vol info Status Notes Date due Barcode Item holds
Journal Article Journal Article Main Library JOURNAL/MGT/Vol 12, No 1/55513474JA5 (Browse shelf(Opens below)) Vol 12, No 1 Available 55513474JA5
Journals and Periodicals Journals and Periodicals Main Library On Display JOURNAL/MGT/Vol 12, No 1/55513474 (Browse shelf(Opens below)) Vol 12, No 1 (01/01/2023) Not for loan IIM Kozhikode: Society Management Review - January 2023 55513474
Total holds: 0

It is well established that organizational structure is critical to the performance of organizations. For performing arts organizations, especially from developing countries such as India, mere survival is a struggle and sustainability becomes a vital goal before the achievement of mission. Our emergent conceptual framework, based on a grounded theory study of six theatre organizations, sheds light on aspects of organizational structure that have contributed to organizational sustainability. Theatre organizations in India are highly dependent on a small core group, often comprising founders or founding families, and rely on strong personal networks in the arts sector. They are supported by membership that is flexible and project-oriented, and organizational boundaries are relatively porous. An exploration of performing arts in the Indian context offers valuable points of comparison to the nature of organizational structures of arts organizations in the West, as evidenced by Western literature.

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